Speaking of Durga Puja…
Experience Devi, the princeps civitatis of Virgin Comics’ new Shakti line:Â

In the second century of mankind’s arrival on earth, the Gods of light took up arms against one of their own. Bala, a fallen dark god, had rejected the old ways of the pantheon and sought to impose his dominion over mankind…
So the pure Gods each sacrificed a part of themselves to create a powerful entity. She is Devi. A fierce feminine warrior, stronger that the Gods themselves, she is reincarnated into the body of a human woman each time a great threat faces the Pantheon… [link]
Finally, a caricature of a strong woman, one who protects the Pantheon, doesn’t take crap from Bala or any other uncle and thinks with her head, not–
Her single ally is a washed up, burnt-out, alcoholic detective named Rahul who has long claimed to see the city’s demons but has been dismissed by everyone…
Devi’s fascination for Rahul, her increasing desire not to save humanity but to save him, not to exorcise Sitapur’s demons, but to exorcise his, now fuels her quest. This is not the story of a girl who wanted to be the Goddess but rather the Goddess who longed to be a girl. [link]                                                        Â
Oh. Well, maybe her friends are cool…
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Meet Ramayan: Reborn (left), The Sadhu (center) and Snakewoman (right), the flagship creations of a creative collaboration (a.k.a. Virgin Comics & Virgin Animation), between writer Deepak Chopra, filmmaker Shekhar Kapur and Sir Richard Branson:
Based in Bangalore, India, [Virgin] currently houses 50 artists and writers in a creative studio
and is focused on two areas of development:
1. The creation of original stories and character properties that tap into the vast library of mythology & re-invent the rich indigenous narratives of Asia in a unique, compelling way.
2. Collaborating with creative talent from around the world - from filmmakers, to writers, to musicians, and other artists - to craft original stories and character properties initially in the form of comics and graphic novels subsequently to be developed into films, television, animation, gaming, wireless content… [link]
Of these collaborations, the most notable (or perhaps just the ones that will be most noticed), involve director John Woo; director Guy Ritchie; actor Nicholas Cage; and jack-of-all-things-notable and Virgin’s Chief Creative Officer, Gotham Chopra (who, for those keeping track, is author of the graphic novel-cum-film, Bulletproof Monk; son of Deepak Chopra; and former news-anchor of Al Gore’s brainchild, Current TV).Â

Also joining the mela is CEO & Publisher, Sharad Devarajan (who also happens to be CEO & President of Gotham Entertainment Group, the company that brought Spiderman to India), who believes, quite firmly, that the primary audience for the Shakti line of comics is not in India, but in the western world:
We truly believe that in the years ahead India will become a leading global cultural exporter. In the same way Indian children have embraced Batman, Spider-Man, Scooby-Doo and Britney Spears, today’s Western world has an increasing global appetite for the most engaging content, regardless of its cultural affiliation. If you told parents ten years ago in America that their children would know characters named Yu Gi Oh! and Pokemon as well as they would Spider-Man, those parents would have thought you were crazy – yet in America today an estimated 30% of major children’s animated programming is now Japanese animation.
I can dig that approach, especially because in America we love things that distort our sense of spirituality, sexuality and violence.  However, contrary to what Devarajan thinks, I do think Shakti will have an audience in the subcontinent because, seriously, who doesn’t want to see a woman share title with the mother of all goddesses while wearing leather and falling in love with alcoholics…




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Based in Bangalore, India, [Virgin] currently houses 50 artists and writers in a creative studio 
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ROTFL! :D
Your site is qite unusual - with all sorts of topics cropping up.
I was thrilled that India is getting into animation in a big way and using its huge store of mythology.
Here in London where I live, we are fed endlessly with Greek this and Roman that.
I am sure people are bored stiff with the same stuff.
So Asian epics (initially in comics, later in film) have the potential to create quite a buzz if the Virgin folks play it right.
Good luck. Eddie
Hi there,
On a (seemingly) completely separate issue, check out this article: looks like our favorite Neocon-buster is set to win the fateful Virginia senate race…
I’m starting to like Dixie-style settling of accounts!
:)
The Sadhu cracks me up, pretty funny premise, maybe even stupid. The others will work because they’ve got sex in them. Unfortunate that Indians themselves are choosing to fetishize the culture but good that they’re breaking into the world with something original, “indigenous,” rather than something silly such as Indian Spiderman.
In all honesty, I’m buying/subscribing to the line. It’s about time comic book art moved forward in India from the Amar Chitra Katha style of drawing. As with all pilots, some of these titles may be axed but consider the source of the stories - Hindu Mythology. There’s tales within tales about tales. As long the essence is maintained, I’m all for a skewed perspective on what could have been. I’m already loving the preview pages coming out of the Ramayan Reborn series. In the past tellings of the tale, I’ve always seen Ram as a pacifist with a mean streak a mile wide when he’s provoked. In this one, he’s just what he was meant to be - a certified badass bordering on the anti-hero mindset who basically tells his brothers - this isnt a smart idea to be fighting a war but if you’re coming, you’re on your own there.
Besides, I’ll also buy anything that makes our mythological heroes looks like they can bench 300 pounds and rippling sinewy bodies versus the desi flatness and paunchy belly they always show in the ACK comics :)
I agree with you about Ramayan: Reborn, he is finally showing his true color, so to speak. I only wonder, however, if Virgin’s decision to paint him in dark hues and tony moods is the result of writers truly interpreting the story, or marketing making him more accessible to Western audiences a la Christopher Nolan’s reenvisioning of Bruce Wayne in Batman Begins (and the forthcoming Dark Knight). I suppose it doesn’t really matter, I’m just curious to know in terms of the creative process…