The brown Oscars

As usual, the only desi representation at the Oscars this year is via weepy documentaries (Salim Baba), war movies (Charlie Wilson’s War) and Shekhar Kapur (Elizabeth: The Golden Age). India’s entry, Eklavya, did not make the cut for the foreign film Oscar. Bollyfans are reduced to rooting for a guy who once did a Hanif Kureishi film 20 years ago and a guy who off-handedly mentions Shiva on screen.
Screw that. Presenting the brown Oscars:
| Actor | Hrithik Roshan. Kidding! Irrfan Khan. Hands down. Or Kay Kay Menon in Black Friday. |
| Actress | Bollywood actresses don’t get roles, they get placeholders. But if you had to choose, Shabana Azmi in Umrao Jaan (technically the end of ‘06), and Konkona Sen Sharma in virtually anything. |
|
Supporting actor |
Arshad Warsi’s and Sharman Joshi’s entire careers |
|
Supporting actress |
Wonderbra, supporting actresses from Goregaon to Nariman Point |
|
Animation |
The opening credits for Taare Zameen Par |
|
Art direction |
Saawariya the photo shoot. Wait, there was a story? |
| Cinematography | Eklavya, that John Woo ripoff |
|
Costume design |
The main reason to watch all Bollyflicks |
|
Documentary |
Traffic Signal, an incisive analysis of Indian politicians, i.e. roadside pimps |
|
Film editing |
Whoever made Jiah Khan look older than the age of consent in Nishabd |
|
Foreign film |
The Tamil film industry |
|
Makeup |
Riya Sen. You do not want to see her morning face. |
|
Music written for motion pictures |
Rabbi Shergill, Delhii Heights. There’s any other kind? |
|
Short film |
Taare Zameen Par came in at a svelte 2 hours |
|
Visual effects |
Rekha’s plastic surgeon, for her Om Shanti Om cameo |
|
Sound mixing |
Whoever cut most of Shah Rukh’s melodramatic stuttering from Om Shanti Om |
|
Adapted screenplay |
All Hindi flicks |
|
Original screenplay |
What’s this now? |
Ok, this is stupid — most of these categories don’t even apply to Bollywood. Let’s try this again:
| Best transcription of a Western script | Cheeni Kum, for lifting two different movies from two different continents |
| Best weeper | Sandhya Mridul in Honeymoon Travels |
| Most airheaded female archetype | Sonam Kapoor in Saawariya |
| Best subtitles | That flick I saw which translated the cuss ‘Main tujhko urha doonga, saala gaandu chutiya‘ as ‘Darn it’ |
| Most annoying sidekick | Rajpal Yadav |
| Best script | Loins of Punjab |
| Winkiest cameo | Sanjeev Bhaskar in Jhoom Barabar Jhoom |
|
Best in-joke |
The first half of Om Shanti Om |
| Best ‘Nooo!’ scene | Bobby Deol ripping apart a CD case in Shakalaka Boom Boom. If I were a CD, I’d be afraid. |
| Best dance scene | (Tie) Aishwarya in Guru and Madhuri in Aaja Nachle |
| Tackiest item number | Jiah Khan wrestling a garden hose in Nishabd |
| Most gratuitous use of eyeliner | Salman Khan in Saawariya |
| Most pointless waste of screen time | (Tie) Golmaal: Fun Unlimited and Delhii Heights |
| Best comedian + best villain | The marvel called Boman Irani. With Ranvir Shorey on second place. |
| Worst acting / best hair | Arjun Rampal |
| Abs gained / abs lost | Shah Rukh Khan / Shamita Shetty |
| Most blatant NRI brown-nosing / DDLJ remake | Namastey London |
| Most likely to become an all-time classic | Shakalaka Boom Boom |
| Lifetime achievement award | Suneel Darsan. Between Shakalaka and Talaash: The Search Begins, Darshan’s invented a more humane method of capital punishment: watch this crap, decide to shuffle off this mortal coil by yourself. |


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Hey Manish, great post!
Maybe you can do a post on Brown Razzies too. On second thought, your brown oscars are a mix of Oscars and Razzies ;).
Ah, Saawariya. So much of eyeliner, giggling, and…that’s about it. Is there some kind of towel scene award for it, though? So noteworthy!
Just how do you know that? Dirty minds want to know;)
Aha…So, Tamils are not brown then?
Dude, I wish you thousand crappy Tamil movie watchings ;)
I nominate the Saawariya towel for Best Actor.
I ran into her at a Bandra club. She was short, pretty and slathered.
awesomely fun post…we should do a special awards show just for subtitles. there was a scene in the new umrao jaan where somebody is leaving and he says “i’ll be back in a jiffy”…talk about taking the period out of period film…